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Claudio Zulian (Campodarsego, Italy) is a filmmaker, video-artist, musician and writer. He has a PhD in Aesthetics, Science and Technology of the Arts by the University of Paris VIII and he directs the production company Acteon while working in Spain and France. == Work == Claudio Zulian’s career has developed mainly in cinema, video installations and theatre. In 1993, he founded Acteon, a production company based in Barcelona, through which he produces his works. In 1998, the Contemporary Art Centre of Barcelona (Centre de Cultura Contemporània de Barcelona) hosted his exhibition ''Scenes from Raval'' (Escenas del Raval, 1998) 〔(【引用サイトリンク】title=Escenes del Raval / Escenas del Raval )〕〔(【引用サイトリンク】title=Escenas del Raval - IDENSITAT )〕 where he seeks to give visibility to the environment and people of this Barcelona neighborhood. At the same time, Claudio directed a documentary on the same subject that is also part of the installation.〔(【引用サイトリンク】title=ACTEON · Cine · TV - ESCENAS DEL RAVAL )〕 In 2002, he published the book ''Horas de la ciudad'' (2002),〔ISBN 9788489972605〕 a compilation of 24 short stories about the urban fabric and its inhabitants. His interest in showing the relationship between society and the media in a new light is present in his later works such as the photography installation ''Visions Of Carmel'' (Visions del Carmel, 2003) or the video installation ''The Future'' (L’avenir, 2004)〔http://www.mcu.es/comun/bases/cine/Anuarios/2005/P10805.pdf〕 – a documentary version was awarded worldwide - where he reflects on the daily life and hopes of a deindustrialised mining village in Northern France. In ''The Shifting City'' (A través del Carmel, 2006),〔(【引用サイトリンク】title=A través del Carmel )〕 planned both as a documentary and as a video installation, he received the Barcelona City Council Award〔(【引用サイトリンク】title="A través del Carmel", Premio Ciutat de Barcelona )〕 and the Cinema National Award of Catalonia.〔(【引用サイトリンク】title=Claudio Zulin, Premi Nacional de Cinema de la Generalitat - culturacat.com )〕〔http://www.ccma.cat/tv3/alacarta/programa/Claudio-Zulian-cinema/video/3003930/〕 Zulian’s interest in those people excluded from audiovisual image in media is again clear in his portrait of a Romanian community in ''Just Like Paradise'' (A lo mejor, 2007).〔(【引用サイトリンク】title=Claudio Zulian. A lo mejor i Entusiasme II - ACVIC Centre d'Arts Contemporànies )〕 The same happens in his return to the Carmel district, working with its teenagers in ''After Violence'' (Después de la violencia, 2009)〔(【引用サイトリンク】title=Claudio Zulian refleja la Barcelona de los más débiles )〕 as well as in ''It Won’t Be The Same'' (No será lo mismo, 2010).〔(【引用サイトリンク】title=El curt 'No será lo mismo' explora la imaginació social i política amb els joves )〕 Moreover, this interest is reflected in his evocation of a better future in ''Enthusiasm'' (Entusiasmo, 2012),〔(【引用サイトリンク】title=El Punt Avui - Notícia: Claudio Zulian convida a pensar la ‘ciutat somiada' )〕 prepared in collaboration with several groups of inhabitants and immigrants of Salt (a neighborhood in Girona, Spain). In 2011, Zulian’s documentary ''Fortuny & The Magic Lantern'' (Fortuny y la lámpara maravillosa, 2010)〔(【引用サイトリンク】title=Imprescindibles - Fortuny y la lámpara maravillosa )〕 was selected at the AlJazeera International Documentary Film Festival〔(【引用サイトリンク】title=Notícia - TV3 & Co. - Televisió de Catalunya )〕 and nominated for Best Art Documentary at the PriMED.〔(【引用サイトリンク】title=FORTUNY ET LA LAMPE MERVEILLEUSE )〕 It explores the relationships between East and West through Mariano Fortuny y Madrazo’s designs and sceneries. In 2013, the Jeu de Paume in Paris hosted a retrospective of his works and presents his new creation: Power no power (2013)〔(【引用サイトリンク】title=Histoires d’avenir )〕 In 2014, the fiction film ''Born'' (2014)〔http://bornfilm.org/imgup/Born_reviews-150114131019.pdf〕 was released, which is a drama set in the XVIII century. Through the stories of three historical characters, the film explores the beginning of intimate and social interactions that are as true today as they were in the past. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Claudio Zulian」の詳細全文を読む スポンサード リンク
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